Sweetapple Farm
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Cover Story
The cover of this issue is a design incorporating illustrations from four books illustrated by the subject of our Authorgraph, Ian Beck. The top left illustration is from Five Little Ducks (Orchard), the top right from Poppy and Pip's Picnic (to be published Autumn '97 by HarperCollins), the bottom left from The Owl and the Pussy-cat (Transworld) and the bottom right from Home Before Dark (to be published September '97 by Scholastic). Ian Beck's Picture Book (Hippo) is reviewed in this issue.
Beck talks to BfK's interviewer, Julia Eccleshare, also in this issue. His distinctive decorative style with its sensitive pen line and cross hatching has a nostalgic but sometimes also a surreal quality - he describes it as 'a look that is floating, strong and wistful all at the same time'.
Thanks to Orchard, HarperCollins, Transworld and Scholastic for their help in producing this composite cover.
Sweetapple Farm
I wish I could like this picture book. It is very pretty indeed - lots of jolly charming water colour pictures, interesting text with animal noises to make and a picture of a rural idyll which brings tears to the eyes. The laughing farmer and his family go through their jolly day and provide what the publisher, oddly, intends as, 'an excellent learning aid for parents and teachers'. My problem is the dishonesty of it all. We really ought not to be telling children that this is what farms are like. They are no longer places where pigs, ducks, horses and hens roam in smiling freedom while the smiling farmer milks the cows by hand. If this is a picture of farms in the past, then get rid of the modern tractor; if it is intended as a fictional, idealized farm, then let it begin, 'once upon a time' so that we know where we stand. It is the belief that farms are, really, still like this that enables the intensive farmer to get away with so much. Away with it, I say. If it is to be a learning aid, let it aid us to learn the truth.

