Martin Farrell
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Cover Story
This issue’s cover is from the gift edition of Roald Dahl’s Charlie and the Chocolate Factory illustrated by Quentin Blake and with design and typography by Peter Campbell. The successful collaboration between Roald Dahl and Quentin Blake has played an important part in the popularity of Dahl’s work over the last fifteen years. Blake’s unmistakable artwork truly complements Dahl’s writing. His economical, amiable, illustrative style balances out Dahl’s often expansive language. And the liveliness, humour and pathos of the drawings offer a softer side to Dahl’s sometimes gloriously grotesque, sometimes cruel descriptions of his characters.
Thanks to Penguin Children’s Books for their help in producing this July cover which commemorates the thirty years anniversary of Charlie and the Chocolate Factory’s first UK publication.
Martin Farrell
Set in the borders at the time of the Reivers and family feuding, this compelling novel begins with a murder: 'No one thought much about it. Pathetic.' But the casual brutality is momentous. The consequences of that death spread outwards through the story as the murdered man's stepson, Martin, is teased and led, like the reader, by a fiddler/storyteller into the mysteries of his own family and the magical revenging of his father's death. At 96 pages, this short novel has the feel of a much longer saga; it never loses its hold, charming and chivvying and, in case you're not concentrating: 'Fire! Fire! Get out of the house!... Ah, sit back on your arse bones. It was just an alarm to keep ye awake! ... Are you listening? Then I'm not wasting my breath.' Stunning storytelling which fixes and tricks you as reader, so that you are always two-stepping with the words, enjoying the pleasures of the story and the telling. A book to be heard aloud as the spoken rhythms would ease the complexity of the prose on the page.


