Tenderness
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Cover Story
This issue’s cover is from the gift edition of Roald Dahl’s Charlie and the Chocolate Factory illustrated by Quentin Blake and with design and typography by Peter Campbell. The successful collaboration between Roald Dahl and Quentin Blake has played an important part in the popularity of Dahl’s work over the last fifteen years. Blake’s unmistakable artwork truly complements Dahl’s writing. His economical, amiable, illustrative style balances out Dahl’s often expansive language. And the liveliness, humour and pathos of the drawings offer a softer side to Dahl’s sometimes gloriously grotesque, sometimes cruel descriptions of his characters.
Thanks to Penguin Children’s Books for their help in producing this July cover which commemorates the thirty years anniversary of Charlie and the Chocolate Factory’s first UK publication.
Tenderness
There is a moment early on in this powerful but extremely disturbing novel when reference is made to 'that terrible world out there'. This is the bleak contemporary landscape familiar to us from previous Cormier books, a terrian in which the values of what might be called 'the system' (invariably perceived as corrupt and dehumanising) are challenged by youthful protagonist in search of their own dreams and fulfilment. Here, the youthful protagonists come in the form of Eric, an eighteen-year-old serial killer, and Lori, a young woman of fifteen, who introduces herself in the novel's opening line as a person who gets 'fixated on something' someone who 'can't help' herself. Both have a history of societal and sexual abuse, resulting in a compulsive need to experience the 'tenderness' of the book's title. From their intertwining destinies Cormier shapes a narrative which, in its sheer power to hold a reader's attention, is tinglingly skilful. It has, additionally, the tantalizing merit of provoking questions about crime and responsibility, motive and manipulation, which threaten to dislodge even our most apparently secure assumptions.

