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The Mum Trap; Your Dad, My Mum

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BfK No. 125 - November 2000

Cover Story
The anarchic hero of many daring adventures, William, as depicted on our cover by Thomas Henry in one of his effective, humorous pen and ink illustrations, is now a period piece. A William de nos jours illustrated by Tony Ross and aimed at a younger audience stands alongside him. This new William will be featured in adaptations of the stories by Martin Jarvis. Richmal Crompton, author of the William books, is the subject of this issue's Authorgraph. Thanks to Macmillan Children’s Books for their help with this November cover.

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The Mum Trap

Ruth Symes
(Andersen Press Ltd)
96pp, 978-0862649333, RRP £3.99, Paperback
8-10 Junior/Middle
Buy "The Mum Trap (Andersen Paperbacks)" on Amazon

Your Dad, My Mum

Hazel Townson
(Andersen Press Ltd)
80pp, 978-0862649616, RRP £10.56, Hardcover
8-10 Junior/Middle
Buy "Your Dad, My Mum" on Amazon

Many children face the dilemma of whether or not to accept a new partner in their parent's lives. In The Mum Trap, a wheelchair-bound 10-year-old and lovesick 13-year-old narrator advertise for a new partner for their widowed Dad, cum new Mum to provide them with essential teen know-how. Strangely, their usually caring Dad has never paid much attention to the bullying suffered by the older girl; neither is any comment made by anyone about the wheelchair-using daughter. This is surely unrealistic, even if her inclusion is laudable. A fun story, nevertheless, with some thought-provoking aspects.

In Your Dad, My Mum, boy meets girl and both complain of their parents new partners, failing to realise that her dad it, of course, seeing his mum. The book is told in diary form, interspersed with the story of his dad, who provides comic interludes as he fails to hold his life together, giving the reader another side to the story. The Nick Sharratt cover may be designed to attract Jacqueline Wilson fans: her books deal with similar issues in a much bleaker, more detailed way. The light-hearted tone of this novel makes the deeper emotions of the characters while allowing readers a chance to address their own feelings, talk with friends or laugh at their own parallel situation. The story is not fully resolved here; we are taken on a whirlwind tour of emotions but are left to imagine the inevitable conclusion.

Reviewer: 
Annabel Gibb
3
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