Home
Blood Red Road Banner Ad
  • Home
  • Latest Issue
  • Past Issues
  • Authors & Artists
  • Articles
  • Reviews
  • News
  • Forums
  • Search

Witch Child

Digital version – browse, print or download

BfK Newsletter

Receive the latest news & reviews direct to your inbox!

BfK No. 128 - May 2001

Cover Story
This issue’s cover is from Lauren Child’s I Am NOT Sleepy and I WILL NOT Go to Bed. Lauren Child is interviewed by Joanna Carey. Thanks to Orchard Books for their help with this May cover.

  • PDFPDF
  • Printer-friendly versionPrinter-friendly version
  • Send to friendSend to friend
  • Login or register to bookmark

Witch Child

Celia Rees
(Bloomsbury Publishing PLC)
240pp, 978-0747546399, RRP £10.99, Hardcover
10-14 Middle/Secondary
Buy "Witch Child" on Amazon

Mary is a witch - or, as she says, 'so some would call me'. Her narrative, told in the form of a diary, begins in 1659 with the torture and hanging for witchcraft of the woman she has always thought of as her grandmother. How, then, is Mary to be saved? Rescued by a mysterious woman and dressed as a puritan, Mary joins those who are emigrating to America in the hope of a better life, free from persecution. But fear of witches travels with her ...

Rees's vivid narrative brings confidence and feeling to her subtle unfolding of events. A strong sense of the past is conveyed with deft touches as lice are combed from hair, or a Tithingman pokes those in a congregation found slumping or nodding. Mary, always warily on the margins of her new community as it voyages to the 'New World' and attempts to settle there, observes with an outsider's eye and the reader too, identifies with her caution. For where can this free spirit, this witch or not-witch find real acceptance? Rees's outstanding fiction carries not only historical and psychological conviction but it has been admirably served by her publisher who have put care and thought into the elegantly inviting design of this book. From 'Mary's' wary gaze on the jacket cover that commands your attention to the contemporary wood engraving of the ducking of a witch to the chapter openers written by a 'quill pen', there is a satisfying rightness to this production. Young readers will be enthralled.

Reviewer: 
Rosemary Stones
5
  • About us
  • Contact us
  • Help/FAQ
  • My Account
website developed by purkiss