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Catherine the Great; Mao Zedong

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BfK No. 135 - July 2002

Cover Story
This issue's cover illustration by Nick Sharratt is from Jeremy's Strong's Krazy Kow Saves the World - Well, Almost. Jeremy Strong is interviewed by Jeff Hynds. Thanks to Puffin for their help with this July cover.

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Catherine the Great

Christine Hatt
(Evans Brothers Ltd)
64pp, NON FICTION, 978-0237522452, RRP £14.99, Hardcover
10-14 Middle/Secondary
Judge for Yourself
Buy "Catherine the Great (Judge for Yourself)" on Amazon

Mao Zedong

Christine Hatt
(Evans Brothers Ltd)
64pp, NON FICTION, 978-0237522346, RRP £14.99, Hardcover
10-14 Middle/Secondary
Judge for Yourself
Buy "Mao Zedong (Judge for Yourself)" on Amazon

Hatt's portraits of these two great autocrats are ambitious. Her attempt to do justice to the detail of these long lives and to the impact they had on their huge nations, falls victim to the wealth and difficulty of her material, and to the format of the series. The distinguishing feature of the format is the separation of a number of discussion points at the end of the books. Here, two sides of an argument are presented, with supporting evidence and sources, and the reader is invited to 'Judge for Yourself'. Was Mao's agricultural reform a success or a failure? Was Catherine the serf's friend or the serf's enemy?

This is a reminder that 'facts and statistics can be used to support completely different points of view'. But it makes for a curious book when some of the central questions are not explored in the body of the text. This, with so much of its major parts removed elsewhere, tends to collapse into exhaustive and exhausting detail. The long march of events is interrupted only by the occasional double page spread which attempts to inject a burst of background information, on, for instance, Chinese philosophy or the history of the Romanov dynasty.

A great deal of research is evident in both Hatt's text and its accompanying illustrations and sources. However, this is a format which demands a level of concentration, tolerance and flexibility which will surely restrict its readership. Finally, why is a bold squiggly, handwritten type of font used for the books' subheadings and for the captions to their illustrations? It doesn't help English readers to familiarise themselves with Russian or Chinese personal and place names if they have difficulty deciphering them.

Reviewer: 
Clive Barnes
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