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Michael Rosen's A to Z: The Best Children's Poetry from Agard to Zephaniah

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BfK No. 179 - November 2009

Cover Story
This issue’s cover illustration is from Lewis Carroll’s Alice’s Adventures in Wonderland illustrated by Robert Ingpen. Robert Ingpen is interviewed by Elizabeth Hammill. Thanks to Templar Publishing for their help with this November cover.

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Michael Rosen's A to Z: The Best Children's Poetry from Agard to Zephaniah

Illustrated by Joe Berger
Edited by Michael Rosen
(Puffin)
304pp, POETRY, 978-0141324500, RRP £7.99, Paperback
8-10 Junior/Middle
Buy "Michael Rosen's A-Z: The Best Children's Poetry from Agard to Zephaniah" on Amazon

In Michael Rosen’s recent tenure as children’s laureate, he made it his especial concern to promote contemporary poetry for children. This collection is one result of that commitment: an A-Z of living poets, excepting only Adrian Mitchell, who is given special dispensation as the recently dead much revered granddaddy of performance poetry. There’s no top of the bill here. Every poet, established and distinguished, or hardly known and up and coming (to me anyway), is given space for two poems, including the editor. Even so, there are some deserving poets who aren’t here, and it’s best to take the subtitle – the ‘best children’s poetry’ – with more than a pinch of salt. So rich is the diet of British poetry for children that even with just over 300 pages to be filled, difficult choices have to be made. That said, the poems have been carefully chosen to show the varied ways that poetry can excite, entertain and intrigue; the way it looks at the world slightly askew; its careful playfulness with language; the way it appeals to the senses and the mind; its music, exuberance and thoughtfulness. It was really good to find poets and poems I hadn’t met before, beside some old favourites, some of whom had not had many collections in print recently – an especial mention here for Kit Wright, whose The Magic Box (the best of…) is due out soon. It would have been good to have at least one of each poet’s collections mentioned at the close of each of their sections to encourage us to discover more, although readers of a bibliographical bent can trawl through the ten pages of acknowledgements. Otherwise, well done Michael – and that goes for the laureateship too.

Reviewer: 
Clive Barnes
4
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