Home
  • Home
  • Latest Issue
  • Past Issues
  • Authors & Artists
  • Articles
  • Reviews
  • News
  • Forums
  • Search

Come to Me, My Chickadee!

Digital version – browse, print or download

BfK Newsletter

Receive the latest news & reviews direct to your inbox!

BfK No. 187 - March 2011
BfK 187 March 2011

Cover Story
This issue’s cover illustration by Mark Owen at Arcangel is from Julie Hearn’s Wreckers. Julie Hearn is interviewed by Nicholas Tucker. Thanks to Oxford University Press for their help with this March cover.

Digital Edition
By clicking here you can view, print or download the fully artworked Digital Edition of BfK March 2011

  • PDFPDF
  • Printer-friendly versionPrinter-friendly version
  • Send to friendSend to friend
  • Login or register to bookmark

Come to Me, My Chickadee!

Carol Thompson
(Child's Play (International) Ltd)
32pp, 978-1846431883, RRP £5.99, Paperback
Under 5s Pre-School/Nursery/Infant
Buy "Come to me, My Chickadee!" on Amazon

This large format board book with its thin card pages and rounded edges is perfect for babies from around six months and upwards. Against white backgrounds Carol Thompson depicts toddlers at different points in the day from waking up in their cot to being tucked up at bedtime. In between we see them carried in a sling, running, climbing, dancing, falling over – deftly and convincingly depicted with Thompson’s vibrantly expressive line and use of colour which suggest the weight of little bodies, their jerky gait and unselfconscious abandonment to the curiosity and pleasure of new experience. The adult presence is there but unobtrusively so – grown up hands reach down to help balance, to hold tight, to tickle and play.

The adult presence is also powerfully there in the lyrically rhyming and playful text which is a lullaby-style love song incorporating pet names and endearments from different languages and cultures. Thus,

‘Come to me, my Black-eyed Pea.

Sugar Plum, my sweet Picknee.’

has a toddler enthusiastically running to his parent, arms out to be lifted up, while,

‘Peep-o Sweet-pea,

Where are you?

Peachy Poppet,

Petit Chou?’

has a toddler looking straight at the reader/parent and playing peek-a-boo.

The decorative endpapers with their stylised flowers are covered with endearments in different languages (wee bisim, mon lapin, schatz, cosita, honey, bambino etc). A delightful production, full of love and affection and beautifully illustrated.

Reviewer: 
Rosemary Stones
5
  • About us
  • Contact us
  • Help/FAQ
  • My Account
website developed by purkiss