Books For Keeps
  • Home
  • Reviews
  • Articles
  • Past Issues
  • Latest Issue
  • Authors and Artists
  • Latest News
  • Search
  • Menu Menu
May 1, 2008/in Classics in Short /by Richard Hill
This article is featured in BfK 170 May 2008
This article is in the Classics in Short Category

Classics in Short No.69: A Picture History of Britain

Author: Brian Alderson

Brian Alderson

A long way after expansive Mr Dickens, we arrive at…

Funny stuff – history.

It would seem that we have recently been mulcted of round about ten million quid on account of a traffic accident in Paris ten years ago – expensive, especially since we still don’t know what really happened. But, given the minutiae of the case, how reliable is the evidence for the millions of other acts and accidents in the past, dramatic or dull by turns? To paraphrase a now vanished historical figure: how known are the known knowns, let alone the unknown ones? Did Alfred really burn the cakes? Is Namier to be trusted in assessing the structure of politics at the accession of George III?

These are fundamental fascinations

about trying to know the past, but it is rumoured that many people, and especially children, do not much care to engage with them. ‘History’, one hears, is reduced to a few romantic, or controversial, or violent episodes, appropriated to capture youthful attention while the endless web of cause and effect within which they occur is neglected as too difficult to understand and hence boring.

Dickens did his best

to infuse life into the dynamics of the past, at least down to 1689, as can be seen in his Child’s History of England, a new abridgment of which is reviewed here on page 16. His conversational and opinionated assault on the subject cannot help but falter over the complexities of the French wars or the Wars of the Roses (and obviously, a hundred and fifty years on, we now know some of the unknowns that he didn’t and can improve his take on some of the knowns) but at least he recognised the unstoppable flow of ‘events, dear boy, events’ which forbids the isolation of just one or two sexy excerpts as ‘history’.

Three volumes

were needed for Dickens’s original storytelling, a span that contrasts rather startlingly with the sixty-four folio pages, plus four sketchy endpaper maps, that make up Clarke Hutton’s Picture History of Britain. It was first published in 1945 and its reissue last year as part of Oxford’s centenary as a children’s book publisher might also stand as symbolic of the Press’s emergence as one of the ‘market leaders’ in the heady developments of the fifties and sixties.

You enter the book

as it were over the drawbridge and through the gatehouse of a stylised medieval castle depicted on the cover. You are then led through nine chapters from ‘Early Britain’ to the ‘Twentieth Century’, which last occupies almost a third of the book. The text is just about as far from Dickens as you could get, for this is, after all, a picture history, and the words function almost as a series of captions supporting the scenes and portraits that Hutton has selected for his illustrations. At its brusquest, for instance, you find, on the unnumbered forty-second page, a completely random set of paragraphs touching on iron steamships, Irish Home Rule, three children’s books (the two Alice’s and Treasure Island), Lister and antisepsis, and the founding of a women’s college at Cambridge!

Such a scattergun approach

gains some justification through a new prefatory note by the Dean of Art at Central St Martins College of Art on the nature of Clarke Hutton’s illustrations. Hutton was head of lithography at the College during the 1930s and became a skilled exponent of a new illustrative method whereby an artist’s work could be directly prepared for printing without photographic intrusion. This gave a freshness and flexibilty to colour work and by 1945 Hutton had had success with a number of picture books, including two Puffins: Fifteen Nursery Rhymes (1941) and Punch & Judy (1943). The Picture History carried the method into a folio format and what was lost in the cranky text was made up for by the visual commentary and comedy.

No little research

must have been called for in settling the content of many of the pictures. Hutton did not aim to make precise representations of the people and artifacts encountered in his two thousand year selection, but his looser interpretations still had to be grounded in a knowledge of the fashions, materials, and social backgrounds to the changing scenes. This he achieved with a delighted indulgence in colour and in the dynamics of page design. The success of the book led him to illustrate seven further volumes in the series including histories of France, the USA and Russia. A Picture History of Great Discoveries is scheduled for reissue later this year.

This ‘facsimile’ edition

is really an unedited reprint printed on glossier paper than the original (and it preserves the placing of Stockton and Darlington in Yorkshire instead of County Durham). For all its selectivity it does show history as a continuous process and though it cannot engage in Dickens’s envigorating polemics – which generate a need for trials and inquests and fact-finding commissions – it touches more fruitfully than he on the life of the people rather than that of their rulers.

The illustrations are taken from the 2007 edition of A Picture History of Britain by Clarke Hutton, published by Oxford University Press (978 0 19 911571 6, £10.99 hbk).

Brian Alderson is founder of the Children’s Books History Society and children’s book consultant for The Times.

For the Classics in Short archive, visit www.booksforkeeps.co.uk and go to ‘browse by category’.

Share this entry
  • Share on Facebook
  • Share on Twitter
  • Share on WhatsApp
  • Share on Pinterest
  • Share on LinkedIn
  • Share on Reddit
  • Share by Mail
http://booksforkeeps.co.uk/wp-content/uploads/2020/12/bfklogo.png 0 0 Richard Hill http://booksforkeeps.co.uk/wp-content/uploads/2020/12/bfklogo.png Richard Hill2008-05-01 09:10:582021-11-22 12:55:27Classics in Short No.69: A Picture History of Britain
Download BfK Issue Bfk 272 May 2025
Skip to an Issue:

Related Articles

A Classic in Short revisited
BfK 258 January 2023
Classics in Short No.147: Goodnight Mister Tom
BfK 248 May 2021
Classics in Short No.146: Nonsense Songs and Amblongus Pie
BfK 247 March 2021
Classics in Short No.145: A Book of Nonsense
BfK 246 January 2021
Classics in Short No.144: The Treasure of the Isle of Mist
BfK 245 November 2020
Classics in Short No.143: To the Wild Sky
BfK 244 September 2020
Classics in Short No.142: Walkabout
BfK 243 July 2020
Classics in Short No.141: Seven Little Australians
BfK 242 May 2020

About Us

Launched in 1980, we’ve reviewed hundreds of new children’s books each year and published articles on every aspect of writing for children.

Read More

Follow Us

Latest News

Winners of the 2025 UKLA Book Awards

June 27, 2025

Effervescent, scintillating, riveting! Collection of ‘colossal’ word poems wins the CLiPPA

June 20, 2025

Winners of the 2025 Carnegie Medals announced

June 19, 2025

Contact Us

Books for Keeps,
30 Winton Avenue,
London,
N11 2AT

Telephone: 0780 789 3369

ISSN: 0143-909X (this is our International Standard Serial Number).

© Copyright 2025 - Books For Keeps | Proudly Built by Lemongrass Media - Web Design Buckinghamshire
Editorial 169: March 2008 Letter to the Editor: May 2008
Scroll to top