Books For Keeps
  • Home
  • Reviews
  • Articles
  • Past Issues
  • Latest Issue
  • Authors and Artists
  • Latest News
  • Search
  • Menu Menu
November 1, 2000/in Editorial /by Angie Hill
This article is featured in BfK 125 November 2000
This article is in the Editorial Category

Editorial 125: November 2000

Author: Rosemary Stones

True originality in literature lies in the writing and this is as true of children’s literature as of adults’. We can add, since we are talking about children’s literature, that true originality can also lie in the illustration. Has this book, of whatever kind, something original to say? Does it say it in an original way? With more than 8,000 new titles for children published in the UK alone each year, originality is no small thing and landmark books few and far between.

These days, however, originality and quality (an individual voice, effortless command of narrative or structure, technical bravura, delight in language, a grasp of the chosen genre, a sense of audience, humanity and so forth) are no longer enough. As the balance of power in the publishing industry has shifted to the marketing department, poets have also to be good performers of their work, while writers have to be good looking, have an interesting background and be dressed by Oswald Boateng or Nicole Farhi. Aristocratic connections or their converse are preferred.

I exaggerate wildly to make a point. However, I am also unable to forget acquisition meetings at the last prestigious publishing house I worked for where ability to perform if you were a poet could mean the difference between publication or non publication. This is truly the book as commodity with the writer or poet or illustrator needing to display celebrity lifestyle potential in the intense competition for marketing resources and thereby, cultural attention.

But what of the writer or poet who cannot perform in schools or speak at conferences, who would sooner die than be an artist-in-residence or read their work in a station, prison or supermarket? Can their books be allowed to speak for those to whom a road show is anathema?

As Margaret Meek puts it in her article in this issue of BfK , ‘Adults Reading Children’s Books’: ‘Happy the writer whose editor is the friend of the text rather than a representative of the finance department concerned with “what the market will stand”.’

Share this entry
  • Share on Facebook
  • Share on Twitter
  • Share on WhatsApp
  • Share on Pinterest
  • Share on LinkedIn
  • Share on Reddit
  • Share by Mail
http://booksforkeeps.co.uk/wp-content/uploads/2020/12/bfklogo.png 0 0 Angie Hill http://booksforkeeps.co.uk/wp-content/uploads/2020/12/bfklogo.png Angie Hill2000-11-01 10:00:422021-12-06 12:33:08Editorial 125: November 2000
Download BfK Issue Bfk 277 March 2026
Skip to an Issue:

Related Articles

Editorial 277
Bfk 277 March 2026
Editorial 276
Bfk 276 January 2026
Editorial 275
Bfk 275 November 2025
Editorial 274
Bfk 274 September 2025
Editorial 273
Bfk 273 July 2025
Editorial 272
Bfk 272 May 2025
Editorial 271
Bfk 271 March 2025
Editorial 270
Bfk 270 January 2025

About Us

Launched in 1980, we’ve reviewed hundreds of new children’s books each year and published articles on every aspect of writing for children.

Read More

Follow Us

Latest News

Something for everyone: shortlist for CLiPPA 2026 announced

April 15, 2026

Shortlist for the 2026 English 4-11 Picture Book Awards announced

April 15, 2026

Jon Klassen receives the 2026 Astrid Lindgren Memorial Award

April 14, 2026

Contact Us

Books for Keeps,
30 Winton Avenue,
London,
N11 2AT

Telephone: 0780 789 3369

ISSN: 0143-909X (this is our International Standard Serial Number).

© Copyright 2026 - Books For Keeps | Bespoke Website Design by Lemongrass Media
Books for Giving Classics in Short No.25: Pinocchio
Scroll to top